Panasonic AU-V35LT1G AU-V35LT1G VariCam LT Body
₦17,437,681.13
Key Features
-
- Single Super 35mm MOS Sensor
- Interchangeable Stainless Steel EF Mount
- Dual Native ISO 800/5000
- 14 Stops of Dynamic Range with V-Log
- 4K Up to 60 fps, 2K/HD Up to 240 fps
- Simultaneous Dual Codec Recording
- Selectable Gamma Curves
- Removable IR Cut Filter
- AVC-Intra, ProRes
- 3.5″ LCD Control Panel
Available on backorder
Panasonic’s Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K.
You can record your footage to high-data-rate files using the camera’s built-in expressP2 card slot (expressP2 cards not included) while simultaneously recoding proxy files to the camera’s SD card slot. The proxy files can incorporate color grading changes that the high-resolution files do not, making it easy for post to see your intent, without baking the look into your high-quality, camera-original files. The camera features selectable gamma curves, allowing you to get the most out of the sensor. It supports recording using AVC-Intra, AVC-Intra 4K, and Apple ProRes codecs. The 3.5″ control panel can function as an LCD screen or be used to control the camera’s functions.
The VariCam LT ships with a removable stainless steel EF mount, which you can swap out for a PL mount if you choose. Please note that the PL mount is not included and must be sourced separately.
Same Imager as VariCam 35
The VariCam LT is equipped with the Super 35mm, single-chip MOS that offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution. It boasts high sensitivity, low noise, and wide dynamic range. The sensor’s size delivers the classic cinematic depth of field as it is the same size as the film frame in motion picture cameras.
Wide 14+ Stops of Latitude
The camera features a dynamic range of 14+ stops when shooting in Panasonic’s BV-Log, which enables accurate image rendering over the entire image, from dark areas to highlights. Even in very dimly lit scenes, the VariCam LT provides low-noise images without any compromise in picture quality.
Dual Native ISO of 800/5000
The sensor of the VariCam LT has two dedicated analog circuits that are implemented on every pixel. This allows the sensor to have two native ISO settings: 800 and 5000. The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. Normally noise is introduced in the gain process of rating ISO in digital cameras; however, the native 5000 ISO rating sidesteps the issue of adding gain to capture low light images.
Expansive Color Gamut
The VariCam LT is equipped with V-Gamut, which encompasses the entire BT.2020 color space.
Scene Files and V-LOOK
The VariCam-LOOK (V-LOOK) mode is a setting for creating cinematic images without color grading. Featuring a gamma curve that allows detail to be maintained over a greater tonal range within the Rec 709 color space that has also been included in the VariCam LT. The V-709 gamma setting provides a tone suitable for viewing on standard monitors while the BC-LOOK creates a look that mimics traditional TV broadcast images.
Monitoring Output Terminals
The VariCam LT provides down conversion to Full HD via two 3G HDSDI outputs and one VF output (BNC) while shooting in 4K.Your look with in-camera color grading and information overlay can be applied to each output.
Native 4K/60p Shooting
The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840×2160) resolution is 60p (60 fps).
2K/HD 240p Slow Motion
When shooting in 2K (2048 x 1080) and HD (1920×1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The frame rate is variable in-shot while recording.
Multiple Codec 4K/UHD/2K/HD Recording
Using the AVC-Intra 4K codec, the VariCam LT can record 4K (4096 x 2160) or UHD (3840 x 2160) resolution. For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ.
Media Card Recording
Using the 256 GByte expressP2 card, the camera can record approximately 90 minutes of 23.98p 4K video with AVC-Intra 4K422. The camera can simultaneously record proxy-quality footage to an SD card.
In-Camera Color Grading
The VariCam LT features an in-camera color grading function (3D LUT/CDL). This enables color tuning on set as well as in the field when using the camera control panel or 3rd party software. Grading information such as 3D LUT files and CDL files can be recorded simultaneously with the image data, providing a simple way of protecting your vision from overly aggressive editorial tweaking.
Main and Proxy Recording
The VariCam LT can record files to an SD memory card while simultaneously recording high-data-rate files to an optional expressP2 card.This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card.
IR
The VariCam LT features a removable IR filter. This allows you the freedom to record footage with or without the IR cut filter in any lighting situation.
Lightweight, Tough, and Flexible
- The lens mount is made of stainless steel and designed to prevent flange back deviation due to temperature changes.
- The camera body is made of strong, rigid magnesium.
- The top and bottom panels have been made flat for easy installation of various plates and accessories.
- Mounting holes are provided on both sides as well as on the handle for convenient mounting of accessories.
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Imaging
| Lens Mount | Canon EF |
| Lens Communication | Yes |
| Sensor Resolution | Actual: 10.3 Megapixel Effective: 8.9 Megapixel |
| Sensor Type | Super35 MOS |
| Image Stabilization | None |
| Built-In ND Filter | Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters |
| Internal Filter Holder | No |
| Capture Type | Video Only |
Exposure Control
| Shutter Type | Electronic Rolling Shutter |
| ISO Sensitivity | 200 to 12,800 |
| Gain | -12 to 14 dB |
| Shutter Angle | 0 to 358° in 0.1° Increments |
| Advertised Dynamic Range | 14 Stops |
Video Capture
| Internal Recording Modes | AVC-Intra LT 4096 x 2160 from 1 to 60.00 fps 3840 x 2160 from 1 to 60.00 fps 2048 x 1080p from 1 to 240 fps 1920 x 1080p from 1 to 240 fps AVC-Intra 4:2:2 4096 x 2160 from 1 to 30.00 fps 3840 x 2160 from 1 to 30.00 fps 2048 x 1080p from 1 to fps 1920 x 1080p from 1 to fps ProRes 4444/ProRes 4444XQ 2048 x 1080p from 1 to 30.00 fps 1920 x 1080p from 1 to 30.00 fps ProRes 422/ProRes 422 HQ/ProRes 422LT 2048 x 1080p from 1 to 60.00 fps 1920 x 1080p from 1 to 60.00 fps |
| External Recording Modes | 10-Bit via SDI/BNC 4096 x 2160 from 1 to 60.00 fps 3840 x 2160 from 1 to 60.00 fps 2048 x 1080p from 1 to 240 fps 1920 x 1080p from 1 to 240 fps |
| Sensor Crop Modes | Super35 / APS-C |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Panasonic V-Gamut, Panasonic V-Log |
| Audio Recording | 4-Channel 24-Bit 48 kHz |
| IP Streaming | None |
Interface
| Media/Memory Card Slot | Slot 1: expressP2 Slot 2: SD/SDHC/SDXC |
| Video I/O | 2 x BNC (3G-SDI) Output 1 x BNC Monitor Output |
| Audio I/O | 1 x XLR 5-Pin Input 2 x XLR 3-Pin Input 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output |
| Power I/O | 1 x XLR 4-Pin (11 to 17 VDC at 1.5 A) Output 1 x XLR 4-Pin (11 to 17 VDC) Input |
| Other I/O | 1 x Lens 12-Pin Control 1 x RCU 10-Pin Control Input/Output 1 x USB-B 1 x BNC (Timecode) Input/Output 1 x USB-A 1 x 20-Pin Control 1 x 6-Pin (GPS) 1 x BNC (Genlock) Input 1 x RJ45 (LAN) 1 x Lens 12-Pin Control |
| Wireless | None |
| Global Positioning (GPS, GLONASS, etc.) | None |
Monitor
| Size | 3.5″ |
| Resolution | 1,560,000 Dot |
| Display Type | Included External LCD |
Viewfinder
| Type | Optional, Not Included |
Focus
| Focus Type | Auto and Manual Focus |
General
| Battery Type | Gold Mount |
| Power Consumption | ≥77 W |
| Tripod Mounting Thread | 4 x 3/8″-16 Female 3 x 1/4″-20 Female |
| Accessory Mount | 1 x 1/4″-20 Female |
| Netflix Approved | Yes |
| Dimensions (W x H x D) | 7.2 x 9.1 x 9.7″ / 184 x 230.5 x 247 mm (Without Protrusions) |
| Weight | 6 lb / 2.7 kg |
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