Effective Sensor Size
27.03mm x 14.25mm (Super35)
Blackmagic Design URSA Mini Pro 12K
₦15,541,913.75
Key Features
- 12,288 x 6480 12K Super 35 sensor
- 14 stops of dynamic range
- features new color science
- shoots 80 megapixels per frame in Blackmagic RAW
- built in ND filters, user changeable lens mount and recording to dual CFast or SD cards
- supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!
Available on backorder
Introducing the World’s MostAdvanced Digital Film Camera!
Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!
Digital Film, Extreme Resolution
URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.
Shoot in 12K, Edit on a Laptop
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.
BlackmagicRAW Fueled Image Capture
Only Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production
Optimizedfor Fast Flexible Post Production
Shooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.
High Band Width Recording
URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With “Record RAW on 2 Cards” turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 120 fps!
Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!
Full Resolution at Higher Frame Rates
URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.
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Lens Mount
PL mount included. Interchangeable with optional EF and F lens mounts.
Lens Control
12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
Dynamic Range
14 Stops
Shooting Resolutions
12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K anamorphic)
Frame Rates
Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
High Speed Frame Rates
12K 17:9 full sensor up to 60 fps
12K 2.4:1 up to 75 fps
8K DCI full sensor up to 120 fps
4K DCI full sensor up to 120 fps
8K 2.4:1 and 4K 2.4:1 up to 160 fps
6K Super 16 up to 120 fps
4K Super 16 up to 240 fps
Built in ND Filters
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Screen Dimensions
4 inch
Screen Type
LCD capacitive touchscreen.
Metadata Support
Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
Total Video Inputs
1 x 12G-SDI
Total Video Outputs
1 x 12G-SDI, 1 x 3G-SDI Monitoring.
SDI Rates
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Reference Inputs
Tri-Sync/Black Burst/Timecode.
Remote Control
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface
1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates.
Audio
Microphone
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
Standards
SD Video Standards
None
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
Media
Media
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Alternative Media
1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD or SATA SSD with optional URSA Mini Recorder.
Media Format
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file system.
Supported Codecs
Codecs
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
Control
External Control
Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control.
Talkback and Tally
Talkback
SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Storage Features
Storage Type
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media.
Storage Rates
12K Full Sensor – 12,288 x 6480
at 24 frames per second.
Blackmagic RAW 5:1 – 578 MB/s
Blackmagic RAW 8:1 – 361 MB/s
Blackmagic RAW 12:1 – 241 MB/s
Blackmagic RAW 18:1 – 160 MB/s
Blackmagic RAW Q0 – 289 to 1,156 MB/s
Blackmagic RAW Q1 – 241 to 963 MB/s
Blackmagic RAW Q3 – 145 to 722 MB/s
Blackmagic RAW Q5 – 97 to 413 MB/s
8K Full Sensor – 8192 x 4320
at 24 frames per second.
Blackmagic RAW 5:1 – 257 MB/s
Blackmagic RAW 8:1 – 161 MB/s
Blackmagic RAW 12:1 – 107 MB/s
Blackmagic RAW 18:1 – 71 MB/s
Blackmagic RAW Q0 – 257 to 642 MB/s
Blackmagic RAW Q1 – 214 to 428 MB/s
Blackmagic RAW Q3 – 107 to 321 MB/s
Blackmagic RAW Q5 – 81 to 257 MB/s
6K Super 16 – 6144 x 3240
at 24 frames per second.
Blackmagic RAW 5:1 – 146 MB/s
Blackmagic RAW 8:1 – 91 MB/s
Blackmagic RAW 12:1 – 61 MB/s
Blackmagic RAW 18:1 – 40 MB/s
Blackmagic RAW Q0 – 73 to 291 MB/s
Blackmagic RAW Q1 – 61 to 242 MB/s
Blackmagic RAW Q3 – 37 to 182 MB/s
Blackmagic RAW Q5 – 25 to 104 MB/s
4K Full Sensor – 4096 x 2160
at 24 frames per second.
Blackmagic RAW 5:1 – 161 MB/s
Blackmagic RAW 8:1 – 107 MB/s
Blackmagic RAW 12:1 – 80 MB/s
Blackmagic RAW 18:1 – 53 MB/s
Blackmagic RAW Q0 – 161 to 268 MB/s
Blackmagic RAW Q1 – 107 to 214 MB/s
Blackmagic RAW Q3 – 81 to 179 MB/s
Blackmagic RAW Q5 – 54 to 161 MB/s
4K Super 16 – 4096 x 2160
at 240 frames per second.
Blackmagic RAW 5:1 – 648 MB/s
Blackmagic RAW 8:1 – 405 MB/s
Blackmagic RAW 12:1 – 271 MB/s
Blackmagic RAW 18:1 – 180 MB/s
Blackmagic RAW Q0 – 648 to 1,618 MB/s
Blackmagic RAW Q1 – 540 to 1,079 MB/s
Blackmagic RAW Q3 – 271 to 810 MB/s
Blackmagic RAW Q5 – 203 to 648 MB/s
Recording Formats
Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.
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