Panasonic AJ-PX800GH P2 HD 2/3 Camcorder
₦19,532,083.86
Available on backorder. Please note that once your payment is confirmed, the product will be delivered within 2–3 weeks
Key Features
- Ultra High speed
-
- Innovating Workflows with Netwokr Functions and AVC-ULTRA Codecs
- Wired/Wireless LAN, 4G/LTE Network Functions
- RTMP/RTMPS/RTSP Compatible Full-HD Streaming
- Transferring Recorded Clips Automatically: Rec During Uploading Function
- Linking with LiveU or TVU bonding services offers faster and more stable live streaming and FTP transfers
- Ultra-light Weight
- The 2/3 type Shoulder-type Model
- 2/3 type Interchangeable Lenses
- High Sensitivity and Low Noise with 2/3 type 3MOS Image Sensors
- High-Quality Image Processing and Versatile Image Settings
- Professional Shooting Functions
- Versatile Shooting Assist Functions
- Ultra-high Quality
- AVC-ULTRA Codec Supported as Standard
- HD/SD Multi Format/Multi Codec
- High-Quality 24 Bit Four Channel Audio Recording
- Two Slots for Versatile Recording Option
- HD SDI IN/OUT, HDMI OUT and Other Interfaces
- Camera Remote System Compatibility
- The P2 ROP App for Wireless Control using iPad
Available on backorder
2/3-type Shoulder-Type HD Camera-Recorder with Three Image Sensors.
The world’s lightest*1 2/3 type shoulder-type HD camera-recorder with three image sensors revolutionizes news gathering with high mobility, superb picture quality and network functions.
The AJ-PX800G is a new-generation camera-recorder for newsgathering. It is network connectable and provides superb picture quality, high mobility and excellent costperformance. Weighing only about 2.8 kg (main unit), the AJ-PX800G is the world’s lightest*1 shoulder-type camera-recorder equipped with three MOS image sensors for broadcasting applications. It also supports AVC-ULTRA multi-codec recording.*2 The picture quality and recorded data rate can be selected from one of the AVC-ULTRA family of codec’s (AVC-Intra/AVC-LongG) according to the application. Along with a Low-rate AVC-Proxy dual-codec recording ideal for network-based operation and off-line editing. Built-in network functions support wired LAN, wireless LAN*3 and 4G/LTE network connections,*3 enabling on-site preview, uploading data to a server and streaming. The AJ-PX800G is a single-package solution for virtually all broadcasting needs.
Acquisition > Automatic Uploading
Recorded clips (proxy or actual files) are uploaded directly from the AJ-PX800G to a network. The new Rec During Upload function automatically uploads files to a network server in the background while recording.
Full-HD Streaming
On-air streaming (via the internet) is possible while recording mainstream video onto a memory card, using only the AJ-PX800G. This QoS (Quality of service) mode allows proxy images in Full-HD resolution to be streamed at a low bit rate by optimizing the bit rate to match the network condition.
Preview and Remote
Wireless connection is supported via a wireless LAN. Clips recorded by a PC/Mac, tablet device or smartphone can be previewed and metadata can be checked and edited. P2 ROP App for iPad is also provided for multifunctional camera remote operation.
Cloud Solution
Even smoother operation is possible by using a cloud service. Proxy files that are automatically uploaded to a cloud server can be edited (remote playlist editing) from a network, and only the necessary data can be sent from the AJ-PX800G to an ingest server.
Wired/Wireless LAN, 4G/LTE Network Functions*1
The standard LAN (Ethernet) port allows network connection via a wired LAN. When the optional AJ-WM30 Wireless Module is installed, the AJ-PX800G gains wireless LAN (IEEE 802.11g/n) connectivity, enabling access to the following functions from a network-connected PC/Mac, tablet device or smartphone. 4G/LTE connection is also possible.
- Proxy Preview: Plays back proxy files (AVC-Proxy), downloads file/clip information, displays and allows editing of metadata, and enables addition/deletion of shot marks and text memos.*2
- Camera Remote: Easy remote operation is possible from various devices by using a web app. The iPad app (available free of charge from the Apple App Store, P2 ROP) enables multifunctional remote operation equivalent to ECU.
- Playlist Editing: Playlists can be created using proxy video with a PC/Mac or tablet. The workflow can be streamlined to be faster by rough editing on location, and then transferring the content files.
- File Transfer: When connected via wired/wireless LAN or 4G/LTE, the FTP client function lets you transfer clips from the camera recorder to a network. Recording and playback are possible during file transfer.
Transferring Recorded Clips Automatically: Rec During Uploading Function
The Rec during Uploading function*, which automatically and sequentially transfers recorded clips to an FTP server or cloud service, has also been newly added. Uploading is done in the background, and recording/playback continues during the transfer. In addition to allowing the camera operator to concentrate on shooting without any concerns about uploading, this also boosts the levels of safety and immediacy. The transfer status can be checked on the LCD monitor or viewfinder. If the network is disconnected during transfer, or the power of the camera is turned off, transfer resumes when the connection or power is recovered. Manual transfer of up to 100 registered clips is also possible.
The 2/3 type Shoulder-type Model
The AJ-PX800G is the world’s lightest* in its class at approximately 2.8 kg (6.2 lb) for the main unit. This compact body provides superb mobility. It is also designed with excellent forward visibility.
- * For a 2/3 type shoulder-type HD camera-recorder with three sensors (as of June 2015).
2/3 type Interchangeable Lenses
The 2/3 type bayonet mount interchangeable lens system lets you choose from a variety of 2/3 type zoom lenses for broadcasting and other professional uses from third-party manufacturers. Select the lens type and performance level that meets your needs.
High Sensitivity and Low Noise with 2/3 type 3MOS Image Sensors
The 2.2 megapixel 2/3 type 3MOS (RGB) image sensors offer full-pixel HD (1920 x 1080) resolution, F12 (59.94 Hz) or F13 (50 Hz) sensitivity and low noise with an S/N of 62 dB. It also achieves rich gradation and vibrant color reproduction.
High-Quality Image Processing and Versatile Image Settings
- CAC (Chromatic Aberration Compensation): When using a CAC compatible lens, the small amount of circumjacent chromatic aberration (circumjacent blur) that is not corrected by the lens is compensated by this process.
- DRS (Dynamic Range Stretcher): Suppresses blocked shadows and blown highlights to achieve a visually wide dynamic range.
- Advanced Flash Band Compensation (FBC): High-precision flash band detection and compensation.
- Gamma: Selectable from 7 modes of gamma curves.
- Digital image settings: H Detail, V Detail, Detail Coring, Skin Tone Detail, Chroma Level, Chroma Phase, Master Pedestal, Knee, Matrix (NORM1/NORM2/FLUO/CINE-LIKE), High Color, White Clip.
Professional Shooting Functions
- Scan Reverse: Displays/records images in vertically or horizontally inverted orientation.
- Digital Zoom: 2x/4x digital zoom.
- Shutter: Slow shutter, synchro scan function.
- Optical ND Filters: Four-position (CLEAR, 1/4 ND, 1/16 ND, 1/64 ND).
Versatile Shooting Assist Functions
- User Interface “SmartUI”: User Interface consists of a LCD display and multiple switches. Multiple function can be set easily with minimum operation.
- Focus Assist: “EXPAND” for center zoomed image and “Focus-in-Red” can be displayed on viewfinder.
- Focus Bar: Focus level shown as bar.
- Scene Files/User Files: Scene files let you select either of six preset files from the menu on SmartUI according to the shooting situation and up to eight settings can be stored onto an SD memory card. Up to eight camera setting status can be stored to an SD memory card.
- Gain: Three-position gain selector with a maximum gain value of +42 dB. (Super gain)
- User Buttons: Frequently used functions can be assigned to the User buttons.
- Shockless White Balance: To enable smooth White Balance mode switching.
- AWB: Auto White Balance with auto tracking white function.
- Audio input level adjustment (front) can be switched on/off and allocated to desired channels.
- WFM / Vectorscope: Simplified waveform and vectorscope display.
- Zebra: Select any two levels from 0% to 109% in 1% steps.
- Mode check: Displays a list of the camera settings.
- Y-GET: Measures brightness at center and displays numerical data.
- The optional CVF15G Color HD View finder, when opened, serves as an LCD monitor.
- Marker Display: Displays a center marker, safety zone marker and frame marker.
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| General | ||
|---|---|---|
| Power | DC 12 V (11.0 V to 17.0 V) | |
| Power Consumption | 22 W (when the optional board AG-YA600G is installed) | |
| Operating Temperature | 0 °C to 40 °C (32 °F to 104 °F) | |
| Operating Humidity | 10 % to 85 % (relative humidity) | |
| Storage Temperature | -20 °C to 60 °C (-4 °F to 140 °F) | |
| Weight*1 | Approx. 2.8 kg (6.2 lbs.) (body only, excluding the battery and accessories) | |
| Dimensions*1 | 144 mm (W) x 267 mm (H) x 350 mm (D) (5-21/32 inches x 10-1/2 inches x 13-25/32 inches) (Body only, excluding protrusion) |
|
| Camera Unit | ||
| Pickup Device | 2/3 type 2.2 million pixels, MOS x 3 | |
| Lens Mount | 2/3 type bayonet | |
| ND Filter | 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND | |
| Gain Setting | NORMAL mode | -3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB, 27 dB, 30 dB |
| HIGH SENS. mode | -6 dB, -3dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB, 27 dB, 30 dB | |
| Super Gain (S.GAIN) | Selectable from 30 dB, 36 dB, 42dB | |
| Shutter Speed | 60i/60p mode | 1/60 (OFF) sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec. |
| 30p mode | 1/30 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec. | |
| 24p mode | 1/24 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec. | |
| 50i/50p mode | 1/50 (OFF) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec. | |
| 25p mode | 1/25 (OFF) sec., 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec. | |
| Synchro Scan Shutter | 60i/60p mode | 1/60.0 sec. to 1/250.0 sec. |
| 30p mode | 1/30.0 sec. to 1/250.0 sec. | |
| 24p mode | 1/24.0 sec. to 1/250.0 sec. | |
| 50i/50p mode | 1/50.0 sec. to 1/250.0 sec. | |
| 25p mode | 1/25.0 sec. to 1/250.0 sec. | |
| Slow Shutter Speed | 60i/60p mode | 1/15 sec., 1/30 sec. |
| 30p mode | 1/15 sec. | |
| 24p mode | 1/12 sec. | |
| 50i/50p mode | 1/12.5, 1/12.5 sec. | |
| 25p mode | 1/12.5 sec. | |
| Shutter Open Angle | 3.0 deg to 360.0 deg (in 0.5 deg steps, angle display) | |
| Sensitivity | NORMAL mode | F9 (2000 lx, 3200 K, 89.9 % reflection, 1080/59.94i) F10 (2000 lx, 3200 K, 89.9 % reflection, 1080/50i) |
| HIGH SENS. Mode | F12 (2000 lx, 3200 K, 89.9 % reflection, 1080/59.94i) F13 (2000 lx, 3200 K, 89.9 % reflection, 1080/50i) |
|
| Minimum Subject Illumination | Approx. 0.22 lx (HIGH SENS. mode, F1.4, +42 dB (S.GAIN)) | |
| Image S/N | 62 dB (standard) | |
| Horizontal Resolution | 1000 TV or higher (center) | |
| Memory Card Recorder | ||
| Recording Media | P2 card (for microP2 card: adaptor is required) | |
| System Format | 1080/59.94i, 1080/23.98psF, 720/59.94p, 480/59.94i, 1080/50i, 720/50p, 576/50i | |
| Recording Format | AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25/AVC-LongG12/ DVCPRO HD/DVCPRO50/DVCPRO/DV formats switchable |
|
| Recording Video Signal | 1080/59.94i, 1080/29.97pN, 1080/23.98pN, 720/59.94p, 720/29.97pN, 720/23.98pN, 480/59.94i, 480/29.97p, 1080/50i, 1080/25pN, 720/50p, 720/25pN, 576/50i, 576/25p |
|
| Recording/Playback Time*2 | AVC-Intra100 | 16GB x 1: Approx. 16min., 32GB x 1: Approx. 32min., 64GB x 1: Approx. 64min. |
| AVC-Intra50 | 16GB x 1: Approx. 32min., 32GB x 1: Approx. 64min., 64GB x 1: Approx. 128min. | |
| AVC-LongG50 | 16GB x 1: Approx. 32min., 32GB x 1: Approx. 64min., 64GB x 1: Approx. 128min. | |
| AVC-LongG25 | 16GB x 1: Approx. 64min., 32GB x 1: Approx. 128min., 64GB x 1: Approx. 256min. | |
| AVC-LongG12 | 16GB x 1: Approx. 120min., 32GB x 1: Approx. 240min., 64GB x 1: Approx. 480min. | |
| DVCPRO HD | 16GB x 1: Approx. 16min., 32GB x 1: Approx. 32min., 64GB x 1: Approx. 64min. | |
| DVCPRO 50 | 16GB x 1: Approx. 32min., 32GB x 1: Approx. 64min., 64GB x 1: Approx. 128min. | |
| DVCPRO/DV | 16GB x 1: Approx. 64min., 32GB x 1: Approx. 128min., 64GB x 1: Approx. 256min. | |
| Digital Video | ||
| Sampling Frequency | AVC-Intra100/AVC-LongG50/ AVC-LongG25/AVC-LongG12/ DVCPRO HD |
Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94 Hz) Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50 Hz) |
| DVCPRO50 | Y: 13.5 MHz, PB/PR:6.75 MHz | |
| DVCPRO | Y: 13.5 MHz, PB/PR: 3.375 MHz | |
| Quantization | AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25: 10 bit AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bit |
|
| Video Compression Format | AVC-Intra100/AVC-Intra50 | MPEG-4 AVC/H.264 Intra Profile |
| AVC-LongG50/AVC-LongG25/ AVC-LongG12 |
MPEG-4 AVC/H.264 | |
| DVCPRO HD/DVCPRO50/DVCPRO | DV-Based Compression | |
| DV | DV Compression | |
| Digital Audio | ||
| Recording Audio Signal | AVC-Intra100/AVC-Intra50 | 48 kHz/16 bit, 4CH and 48 kHz/24 bit, 4CH switch |
| AVC-LongG50/AVC-LongG25 | 48 kHz/24 bit, 4CH | |
| AVC-LongG12/DVCPROHD/ DVCPRO50/DVCPRO/DV |
48 kHz/16 bit, 4CH | |
| Headroom | 18 dB/20 dB (switchable with menu) | |
| Proxy | ||
| Video Compression Format | H.264/AVC Baseline Profile, H.264/AVC High Profile | |
| Audio Compression Format | AAC‑LC, Linear PCM | |
| Approx. Recording Time*2(1 GB) | AVC-G6 2CH MOV | Approx. 13 min. |
| SHQ 2CH MOV | Approx. 25 min. | |
| HQ 2CH MOV | Approx. 78 min. | |
| LOW 2CH MOV | Approx. 135 min. | |
| Video Input/Output | ||
| SDI OUT/IN (option) | BNC x 1 1.5 G HD SDI: 0.8 V [p-p], 75 Ω SD SDI: 0.8 V [p-p], 75 Ω |
|
| MON OUT | BNC x 1 (Can be switched to HD-SDI/SD-SDI/analog composite on SmartUI. ) 1.5 G HD-SDI: 0.8 V [p-p], 75 Ω SD-SDI: 0.8 V [p-p], 75 Ω Composite: 1.0 V [p-p], 75 Ω |
|
| HDMI OUT | HDMI x 1 (HDMI type A terminal, not compatible with VIERA Link) | |
| Audio Input/Output | ||
| AUDIO IN | XLR (3 pin) x 2, LINE/MIC (switch selection) LINE: 0 dBu MIC: -50 dBu/-60 dBu (menu selection), +48 V ON/OFF (switch selection) |
|
| MIC IN | XLR (3 pin) x1, +48 V supported (selectable menu), -40 dBu/-50 dBu/-60 dBu (selectable menu) |
|
| Wireless IN | 25 pin, D-SUB, -40 dBu, 2CH supported | |
| AUDIO OUT | Pin jack x 2 (CH1, CH2), Output level: 600 Ω, 316 mV | |
| Phones | 3.5 mm diameter stereo mini jack x1 | |
| Speaker | 20 mm diameter, round x 1 | |
| Other Input/Output | ||
| GENLOCK IN | BNC x 1, 1.0 V [p-p], 75 Ω | |
| TC IN/OUT | BNC x 1, IN/OUT switch selection IN: 0.5 V [p-p] to 8 V [p-p], 10 kΩ OUT: 2.0 ±0.5 V [p-p], Low impedance |
|
| DC IN | XLR x 1, 4 pin, DC 12 V (DC 11.0 V to 17.0 V) | |
| DC OUT | 4 pin, DC 12 V (DC 11.0 V to 17.0 V), maximum output current 1.5 A | |
| REMOTE | 10 pin | |
| LENS | 12 pin | |
| VF | 20 pin | |
| LAN | 100BASE‑TX/10BASE‑T | |
| USB 2.0 (host) | Type A connector, 4 pin | |
| USB 2.0 (device) | Type B connector, 4 pin | |
| USB2.0 (sub host) | Type A connector, 4 pin (exclusively for wireless module AJ‑WM30) | |
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